Posts tagged: Digital

Joe Fowler, Call to Industry, 2023

Artist: Joe Fowler

Title: Call to Industry

Year: 2023

Medium: Digital video

Duration: 5 minutes, 5 seconds

Acquisition info: 

The artist examines the frequent repurpose and reuse of former industrial spaces in the city, which often disregard the dark history of the buildings – including the exploitation and abuse of the working class. He considers the inequalities underlying the Industrial Revolution, which allowed those with enough money and power to continue to exploit those without such privileges. Today, property developers create expensive luxury apartments on the same sites, continuing to lock the working class out of the ability to ‘enjoy the greatest city on earth. Join the cult, worship the ruling class, worship industry…’



Dan Walmsley and Jai Redman, Jai Redman In the Studio (b), 2016

Artist: Dan Walmsley and Jai Redman (1971 -)

Title: Jai Redman In the Studio (b)

Year: 2016

Medium: Photograph

Dimensions: Digital Photograph

Accession Number: US2016-16b

Acquisition info:

Photo documentation of creative process behind Engel’s Beard.


Dan Walmsley and Jai Redman, Jai Redman In the Studio (a), 2016

Artist: Dan Walmsley and Jai Redman (1971 -)

Title: Jai Redman In the Studio (a)

Year: 2016

Medium: Photograph

Dimensions: Digital Photograph

Accession Number: US2016-16a

Acquisition info: Photo documentation of creative process behind Engel’s Beard


Antonio Roberts, Nodes, 2020

Artist: Antonio Roberts (1985-)

Title: Nodes

Year: 2020

Medium: Digital video and live coded audio

Duration: 4 minuites, 30 seconds

Accession Number:

Acquisition info:

Live coding is a performative practice where artists make music and visual art live using programming. This piece seeks to demonstrate the creative potential of this practice, showcasing two prominent software tools, TidalCycles (music) and Blender (visuals). The title refers to how the live coding community consists of nodes spread across the globe, linked by the software and interest in live coding.

Antonio Roberts (UK) is an artist and curator based in Birmingham, UK, working primarily with video, code, and sound. He is critically engaged with the themes surrounding network culture and in his practice explores how technology continues to shape ideas of creation, ownership, and authorship. As a performing visual artist and musician he utilises live coding techniques to demystify technology and reveal its design decisions, limitations, and creative potential.

Commissioned on the occasion of Peer to Peer: UK/HK Online Festival 2020 by Centre for Chinese Contemporary Art, Open Eye Gallery and University of Salford Art Collection.