Posts tagged: 2019

Gordon Cheung, Home, 2019

Artist: Gordon Cheung

Title: Home

Year: 2019

Medium: Mixed media sculpture

Dimensions: tbc

Accession Number: Tbc-2020

Acquisition info:

Made from layered newspaper and bamboo, Gordon Cheung’s window installation series ‘Home’ refers to homes in China with traditional window lattice designs that were demolished due to rapid urbanisation. The sculpture hovers between states of being, suggesting a ghost architecture that would have supported the windows. They act as a demarcation between the march of unstoppable progress, and the framework of identity, history and culture that define the individual.

‘Home’ premiered at Edel Assanti Gallery London (2019) in a solo show by the artist. The exhibition draws together three years of research and creation; addressing the emerging science fiction realities surrounding China’s vast infrastructural expansion – from dystopic surveillance societies to the formation of unfathomable megalopolises of 130 million citizens via the fusion of what are already the world’s largest cities.

Cheung graduated with a Bachelor of Fine Arts in Painting in 1998 from Central Saint Martins College of Art and Design in London and earned his Masters of Fine Arts in 2001 from the Royal College of Art in London. Select solo shows include Jack Shainman Gallery in New York, The Four Horsemen of the Apocalypse, The New Art Gallery Walsall, Walsall UK.


Cheng Ran, Diary of a Madman – Manchester Plan, New Bees, 2019

Artist: Cheng Ran

Title: Diary of a Madman-Manchester Plan, New Bees

Exhibition Preview: Thursday 24 October, 6-8pm

Exhibitions dates: Friday 25 October 2019 – Sunday 12 January 2020

Opening hours: Tuesday – Sunday, 10am – 5pm

Venue: Centre for Chinese Contemporary Art, Manchester

Accession Number:  US2019-06

Acquisition info:

Cheng Ran is a video artist working and living in Hangzhou, China. His latest work Diary of a Madman – Manchester Plan, New Bees, is a multi-channel installation filmed entirely in Greater Manchester and is the outcome of a short residency with Centre for Chinese Contemporary Art (CFCCA) earlier this year.

Interested in the idea of ‘otherness’, Cheng uses cinematic techniques to look at the ways we experience new cities and their unfamiliar geographies and living spaces. His first solo exhibition in the UK explores the city of Manchester from the perspective of a visitor and a stranger, drawing attention to the myths and fabrications that inform our understanding of place.

“Cheng’s Diary of a Madman series, is an ongoing project that was initially developed during a residency at the New Museum in New York in 2016 followed by two further chapters in Tel Aviv and Hong Kong. We are delighted to have collaborated with Cheng Ran on this exciting new chapter that links with the city and people of Manchester,” said CFCCA’s Senior Curator Marianna Tsionki.

Cheng Ran: Diary of a Madman, Manchester Plan is a co-commission between the Centre for Chinese Contemporary Art, videoclub and the University of Salford Art Collection.

Centre for Chinese Contemporary Art (CFCCA) logo

Lu Yang, The Great Adventure of Material World #1, 2019

Artist: Lu Yang

Title: The Great Adventure of Material World #1

Year: 2019

Medium: Digital print on archival paper, mounted to aluminium

Dimensions: 130 x 150cm

Accession Number: US2019-04

Acquisition info:

Lu Yang is a Shanghai-based multimedia artist who creates fantastical, often morbid and shocking visions of death, sexuality (or a-sexuality), mental illness, and neurological constructs of both real lifeforms and deities. Deeply immersed in the subcultures of anime, video games, and sci-fi, Lu Yang’s output spans 3D-animated films, video game-like installations, holograms, neon, VR and even software manipulation, often with overt Japanese manga and anime references. Her works involve frequent collaborations with performers, designers, experimental composers, robot companies, and idol stars.

Lu Yang has been featured in major exhibitions at venues such as the UCCA, Centre Pompidou, MAXXI National Museum of XXI Arts. She has also participated in numerous Biennales such as: Shanghai Biennale, (2018 and 2012), Athens Biennale (2018), Liverpool Biennial (2016), Montreal International Digital Art Biennial (2016), 56th Venice Biennale, China Pavilion (2015), and Fukuoka Asian Art Triennale (2014).

Biography courtesy Bangkok Art Biennale

The Great Adventure of Material World #1 was commissioned for PHOTOFAIR Shanghai 2019, as part of the UOSAC exhibition Taking the Leap, guest curated by Ying Kwok. Read more about the exhibition here.

Image Courtesy of the artist.

Lu Yang, The Great Adventure of Material World #1, 2019. Digital print, on archival paper mounted to aluminium. Image courtesy of the artist.

Jesse Glazzard, LGBT+ Letters, 2018-19

Artist: Jesse Glazzard

Title: LGBT+ Letters

Year: 2018-19

Medium: Series, Film Photographs accompanied by letters from the subjects.

Dimensions:

Photographs: W: 59.4 cm, H:8 4.1 cm, each accompanied by an A4 letter.

Accession Number:

Acquisition info:

Jesse’s own coming-out at secondary school was fraught with the fear, and harsh reality, of violent backlash. But it was also hampered by what Glazzard saw as a complete lack of queer visibility. He had simply no experience of how to become queer. Glazzard’s first cultural experience of queer romance was of a single ‘chaste, lesbian kiss’ on the popular soap opera EastEnders at the age of 9.

While LGBTQI representation in popular culture has improved, Glazzard describes still seeing many stale stereotypes, which this photographic work seeks to rectify. LGBT+ Letters is an attempt at providing, through portraits and texts, queer aesthetics for people who find themselves without meaningful representation in the world. In the photography series, Glazzard demonstrates a lack of self-indulgence rather a strong belief in accommodating to his subjects’ individualities, and ultimately to build trust, capture intimacy, educate and inform.

The LGBT+ Letters series was gifted to the Collection at the culmination of the artists time on the Art Collection’s Graduate Scholarship Programme, run in partnership with Castlefield Gallery.

Portraits:

A colour photograph shows a black person from the chest up. They have curly hair styled in a bob and are wearing a necklace and earings made from coloured pencil segments, and a white dress with a green and yellow floral pattern. They have their nose piereced and visible armpit hair. Their right eye is half obscured by shadow.
Jesse Glazzard, Ella (from LGBT+ Letters), 2018-2019. Courtesy the artist.
A picture of a person stood in front of a fence. They have shoulder length red curly hair cut with a fringe. In their left hand they are holding a blonde wig atop a large jar filled with oranges.
Jesse Glazzard, Blake (from LGBT+ Letters), 2018-2019. Courtesy the artist.
A colour photography showing a white person from the waist up. They dark hair which is shaved at the sides and they're sat on a black sofa wearing a beige, oversized hoodie.
Jesse Glazzard, Jay (From LGBT+ Letters), 2018-19. Courtesy the artist.
A colour photograph shows a person from the waist up, sat inside on a grey sofa. They have a shaved head and wear layered necklaces over a black tshirt. Behind them on the wall is a poster depicting Radha-Krishna.
Jesse Glazzard, Lua (From LGBT+ Letters), 2018-19. Courtesy the artist.
A bright colour photography shows a white person from the waist up, posed against a yellow backgroud. They have short blond hair, and they are wearing a button up shirt with a statement collar, under a black blazer jacket.
Jesse Glazzard, Meggie (From LGBT+ Letters), 2018-19. Courtesy the artist.
A colour photography shows a white person from the waist up, stood outside in front of a brick built house. They are wearing a sequin, off the shoulder blue and gold top, a wide black choaker, and a black hat. They are wearing blye eyeshadow, and large geometric gold earings.
Jesse Glazzard, Laurie (From LGBT+ Letters), 2018-19. Courtesy the artist.
A full body colour photography showing an asian person in red trousers, a red and white graphic button-up shirt, and statement orange-tinted glasses stands in a field facing the camera.
Jesse Glazzard, Weimen (From LGBT+ Letters), 2018-19. Courtesy the artist.

Letters:


Open Music Archive, Everything I Have is Yours, 2019

Artist: Open Music Archive: Ben White & Eileen Simpson (both b. 1977)

Title: Everything I Have is Yours

Year: 2019

Medium: Single channel 4:3 HD video, installed with vinyl and shellac UK chart hit singles (1952-1962)

Dimensions: 30m43s, looped

Accession Number: US2019-02

Acquisition info: Commissioned by Film and Video UmbrellaContemporary Art Society, University of Salford Art Collection and Castlefield Gallery. Presented by Contemporary Art Society, Mbili Foundation and the University of Salford.

The film premiered at Salford Museum & Art Gallery, from Thursday 4 July – Sunday 3 November 2019, complimented by a funded community engagement programme inspired by the film, entitled Together We Move.

More Information

Keywords: Music, Performance, Archive, Video, Socially Engaged Practice