Painting

A large oil painting. spouts of crimson red, sky blue, and hints of yellow emerge through a luscious collection of forest greens.
Adam Rawlinson, 'The birds will sing, that you are part of everything', 2024
2 portrait orientated rectangles, in an almost 4 by 3 format. The left one has a subdued cyan tone on its left side, and a desaturated orange on the right. The righthand object is cyan and white on its right side, but bare cardboard on its left. Both are textured with thick paint and cardboard, hung on a blue wall.
Mollie Balshaw, Painting Sandwich #7 & #5, 2019
town, chapel, watercolour
Harold Riley, Old Chapel, Broad St, Salford, 1976
rugby players painting
Walter Kershaw, Scrum Half and Prop Forward, 1970
man, figure, body, morgue
Harold Riley, Man from the Canal, 1977
Bird shop, Wigan
Harold Riley, Bird Shop Wigan, 1978
Cobbled Street, Terraced houses
Harold Riley, Street by the Docks, 1977
abstract
Paule Vezelay, Four Red Forms, 1969
Greengrocer's Shop, monochrome
Harold Riley, Greengrocer's Shop, 1970
portrait
Alfonzo Padilla, Estudio Raka Reius I, 1968
needs conservation. green, trees, landscsape
Adrian Ryan, Harlech Castle from Garreg Fawr, 1970
peach, street, market scene
Colin Johnson, Market Scene 2, 1972
portrait, reframed, man
Stanley Reed, L.M. Angus-Butterworth Esq. MA, 1950
study of forest, nature, trees
John Nash, Rendlesham Forest, near Oxford, Suffolk, 1973
twigs drawing/painting, twigs, branches, watercolour, ink,
Daniel Gleeson, Twigs II, 1971
A painting depicts a view of Salford Quay's where the bulidings along the waterfront are refelcted in the water. The abstracted buildings in greys, browns, and blues run across the middle of the painting, while the sky and refelction surronds them, blue at the top and bottom, turning golden at the centre.
Liam Spencer, Salford Quays (Sunset), 2012
Red and yellow marks on a black background create an asbtracted depiction of the map where Salford and Manchester meet.
Lu Xinjian, City DNA/Salford and Manchester, 2015
There are three black rectangles side by side on the screen.
Ma Qiusha, Triptych from The Fog Series, 2014
There are three orange paper-cut works on the picture, each with the Chinese characters Fu Lu Shou.
Chen Hangfeng, Fu Lu Shou, 2013
This is an abstract work made of interlaced lines of different colors.
Chou Yu-Cheng, from Geoff Molyneux Series, 2014
Hazel Rebecca Clegg, Untitled Series, 2015
an oil painting of a rural scene
Adolphe Valette, Romiley, 1916
Mandy Payne, In Limbo (2017)
a semi-abstract oil painting showing an unidentified animal drinking water from a small pond.
Albert Adams, Wild Animal Drinking, 1980
an abstract painting, with shapes resembling a shirt collar.
Louise Giovanelli, Collar IV, 2016
an abstract painting showing shapes resembling a shirt collar
Louise Giavonelli, Collar III, 2016
A colourful oil painting depicting a vase of pink and white lilies with thin green leaves, against a yellow and blue background.
Albert Adams, Lilies, 2000
A colourful oil painting depicting a man with light skin and dark hair from the waist up, slumped forwards on his front. His eyes look down, he wears a dark suit in blue and purple tones, he wears a ring on his ring finger closest to the viewer. A figure stands in the background, on the left of the man, they looks back over their shoulder towards him.
Albert Adams, Portrait of Seigbert Eick, 1958
A colourful oil painting depicting a girl with dark skin sat profile to the viewer but turning and leaning forwards to look directly towards the viewer. Her hands rest over each other in front of her on a red surface, her clothing is pink with a collar, and her arms are exposed. Behind the figure is a colourful, abstract background.
Albert Adams, Portrait of Miss Rhoda Samuels, 1958
Harold Riley, HRH Prince Philip, Duke of Edinburgh, 1st Chancellor 1967-90.
An impressionist painting with thick brushstrokes depicting an autumnal scene with brown bushes and green grass. The trunk of a tree with scant brown leaves stands to the right, two further trees standing in the distance on the left with two houses behind. A fence runs from the left corner to the centre of the painting. Two figures look out over the fence, one dressed in blue.
Adolphe Valette, Figures by a Fence, 1922
A work in charcol and oil depicting a very distorted figure from the shoulders up. The face and twisted features of the figure are obscured by dark smudging.
Albert Adams, Celebration Head: Black and White, 2004
An expressive landscape painting in shades of browns and greys, depicting a town from a far in the centre left of the image, with rolling hills meeting a white cloudy sky in the distance.
Ian Henderson, Ruins, 2009
An expressive painting depicting a landscape in shades of browns and greys. The sky is a murky beige with the silhouette of a factory imposed in the distance.
Ian Henderson, The Quarry, 2010
An expressive painting depicting a snowy street, facing green, brown, and grey buildings, with trees in the distance.
Ian Henderson, Back Bombala Street, 2009