Collection

a large white leather handmade shoe with black laces sits on a grey background. Made for a bird rather than a human, it splits into three large toes.

Han Feng, Shoe for Bird, 2012

Shoe for Bird, Han Feng, 2012.

This is an abstract work made of interlaced lines of different colors.

Chou Yu-Cheng, from Geoff Molyneux Series, 2014

from Geoff Molyneux Series, Chou Yu-Cheng, 2014.

This is a black and white photo of a tall building facing the water outside the window.

Luke Ching, Titanic Hotel Photographs, 2017

Titanic Hotel Photographs, Luke Ching, 2017.

A simple monotone print, depicting a stylised self portrait of the artist. The image has a thick black boarder, and shows a round head, with prominent nose, two small eyes, and small mouth. On the cheek there is a large black, vertical smudge and the neck and torso are also depicted by only smudges.

Albert Adams, Self Portrait, 1958

Self Portrait, Albert Adams, 1960

A monotone print depicting the artist. The image looks down at the artist from above, showing his head and shoulders. His hair is parted at the side, and bold lines are used to draw the artists features, including his eyes, nose, mouth, and ear.

Albert Adams, Self Portrait, 1960

Self Portrait, Albert Adams, 1960

A monotone print, with a dark background a simple pale lines, depicts two male figures sat together. The figure on the left appears to be looking down, watching the figure on the right. On the right the figure has a disproportionally large hand. and is sat, with his knees appart.

Albert Adams, Saul and David, 1956

Saul and David, Albert Adams, 1956

A monotone print using simple lines depicts a wide eyed, harrowed figure from the nose up, looking in through bars above him to see a skull in a dark corner. A bird files above the figure's head, also looking in through one small black eye.

Albert Adams, Prisoner, bird & skull (Incarceration), 1999

Prisoner, bird & skull (Incarceration), Albert Adams, 1999

A monocrome print depicting a simple figure, riding a horse. The figure and horse both have drawn, skeletal faces, with exposed teeth. The figure has mitten-like hands, and their upper body is depicted by a dark smudge.

Albert Adams, Man on a Rocking Horse, 2001

Man on a Rocking Horse, Albert Adams, 2001

A charcoal drawing depicting an abstracted locust, using bold, energetic lines and dots. The locust spands the page diagonally, it's head towards the top left corner, and it's tail towards the bottom right.

Albert Adams, Locust, 2001

Locust, Albert Adams, 2001

A charcoal drawing depicts an abstracted locust, using thick, energetic lines, dots, and smudges.

Albert Adams, Locust 2, 2001

Locust 2, Albert Adams, 2001

Willow Rowlands, A Way of Organising a Pig, 2015

Willow Rowlands, A Way of Organising a Pig, 2015

An etching with a dark grey background, depicts an oldfashioned oil lamp burning. The flame at the center is the brightest park of the image, the outlines and details of the lamp redered through dark lines.

Albert Adams, Lamp (Incarceration), 2002

Lamp (Incarceration), Albert Adams, 2002

A pencil drawing depicting a shopping trolley, with large, dark, bulky contents. The trolley stands out from the plae background, a square shadow beneath it.

Albert Adams, Laden Trolley, 2002

Laden Trolley, Albert Adams, 2002

This is a black and white photo depicting some machinery on the dock outside the window.

Luke Ching, Titanic Hotel Photographs, 2017

Titanic Hotel Photographs, Luke Ching, 2017.

A textured etching shows a figure looking downwards towards the left hand corner of the image. He has dark hair, sideburns, a beard and mustache.

Albert Adams, Head (Final State), Date Not Known

Head (Final State), Albert Adams, Date not known

A textured etching shows a figure from the shoulders up. The face is blank and featureless,, turning inwards towards the figure's shoulder, depicted in one curved line. The hair is textured and detailed.

Albert Adams, Head (1st State), Date Not Known

Head (1st State), Albert Adams, date not known

This image depicts several police officers standing in a small town.

Cao Fei, La Town, 2014

La Town, Cao Fei, 2014.

An expressive charcoal drawing shows two figures, trying to balence on a tightrope. One figure stands doubled over in the centre of the image, while the other sits off to the left of the drawing, facing away.

Albert Adams, Figures on a Tightrope, 2001

Albert Adams, Figures on a Tightrope, 2001

A detailed, monotone etching depicts a shaded figure, with a distorted head, obscured with black smudges. A cord trails down from above the figure's head, and circles around above the figure's chest.

Albert Adams, Figure with a Power Cord, date not known.

Figure with a Power Cord, Albert Adams, date not known.

An expressive etching, depicting faceless figures outlined in black against a natural yellowed background.

Albert Adams, Deposition, 1955

Deposition, Albert Adams, 1955

An expressive etching depicts the outlined figures of two naked men, holding long sticks. Their forms are illuminated, surrounded by dark crosshatching.

Albert Adams, Deposition, 1955

Deposition, Albert Adams, 1955

A white skeletal digital rendering of an ornate bandstand floats against a dark blue background.

Laura Daly, The Storm Cone, 2021

The Storm Cone, Laura Daly, 2021

A pale etching depicts a figure, suspended as if crucified, his body contorted, being attended to by a hooded figure.

Albert Adams, Crucifixion, 1955

Crucifixion, Albert Adams, 1955

Two distorted figures are depicted through thin scratchy lines, black against a natural yellowed background. Harsh lines protrude from the top right corner, pointing towards the figures.

Albert Adams, Crucifixion, 1955

Crucifixion, Albert Adams, 1955

A monotype print with a black background depicting a distorted face with open mouth and pointed nose. The features are depicted through thin white lines.

Albert Adams, Crucifixion, 1960

Crucifixion, Albert Adams, 1960

A monotype print with a black background depicting a distorted face. Thin pale lines show the outline of the figure’s head. The forehead and cheek bones are exaggerated, highlighted white. The face has wide whited over eyes, and an open screaming mouth.

Albert Adams, Crucifixion, 1960

Crucifixion, Albert Adams, 1960

A monotype print depicting Christ on the cross with minimal lines. In the bottom right a figure reaches up towards him.

Albert Adams, Christ with Veronica, 1956

Christ with Veronica, Albert Adams, 1956

A monotype print depicting Christ on the cross with minimal lines. In the bottom right a figure reaches up towards him.

Albert Adams, Christ with Veronica, 1956

Christ With Veronica, Albert Adams, 1956

Albert Adams, The Prisoner (Incarceration) Cell Window, 2002

The Prisoner (Incarceration) Cell Window, Albert Adams, 2002

Large working drawing of arm or hand, ink on paper pinned together

Albert Adams, Arm (detail of Crucifixion), 1960

Arm (detail of Crucifixion), Albert Adams, 1960